The XLR part can handle balanced microphone signals, the jack socket of the combo plug is a Hi-Z input for unbalanced instrument signals.įrom the manual and FAQ section of the VMS I have collected some information about the inner values of the set, which should help you to better classify the microphone and preamp. To save space, a Neutrik combo jack for XLR/TS connectors has also been installed for incoming signals. They both output mono signals and are balanced. In addition, an XLR and a TRS connector are available as output jacks. In addition, there is an output socket for passing through the power supply voltage for another VMS ONE. The preamp is supplied with 15 V DC via a seven-pin socket. It all looks very tidy and very well laid out.Īll connections are located on the back of the VMS ONE.
A small multicolored LED is supposed to indicate the optimal level and overdrive of the output signal. In addition to an input selector switch for the instrument or microphone input, there are switches for a phase rotation, activation of the 20dB pad and 48V phantom power, and an on/off switch. Five toggle switches make up the remaining controls. This is at least 15 dB and can be raised up to 60 dB. It can be used to continuously adjust the preamplification of the microphone signal. The VMS ONE is a completely black single-channel desktop preamp whose exterior reminds me of common monitor controllers, because there is a large rotary control in the center of the device. This could indicate that the preamp consumes power even when it is switched off (quasi in "standby"). Although the preamp has an on/off switch, the original power cord has a separate power switch. In addition to a proprietary power supply with a 7-pin connector, a power cord designed for US outlets is found in the box. The preamp that comes with the Virtual Microphone System is called VMS ONE.